Design · Branding
VOLC
Украшения из вулканических пород
Identity and packaging for a volcanic-stone jewellery brand
VOLC is a jewellery brand made from Kamchatka's volcanic rock: obsidian, basalt, stones left in their natural shape. Every capsule collection belongs to one volcano. I built the identity around that idea of cooled fire, then the posters, outdoor ads and packaging, where each box carries a map of its volcano and the date it last erupted.
So the identity is about cooled fire: black stone, and an orange glow coming from inside it.
Brief
Jewellery made from the volcanic rock of Kamchatka, obsidian and basalt, in its natural shape. The pieces come out in small capsule collections, and each one is dedicated to a single volcano.
The people I designed for are 18 to 45 and live in big cities in Russia and abroad. They follow fashion, art and ecology, collect designer jewellery and care about where things come from. What they want from a brand: something rare, something honest about its material, something made by nature rather than by a factory.
The brand sells in its own stores and online, with delivery across Russia and abroad.
Idea
AVGVST, Kintsugi and Fjord all sell rarity and meaning. What none of them has is a place. VOLC is tied to Kamchatka and its volcanoes, which gives every piece a geography and a story, and the capsule collections make each piece rarer still.
So the identity is about cooled fire: black stone, and an orange glow coming from inside it. A sharp, high-contrast serif for the wordmark, and orange used as light, never as decoration.
Process
I started in three directions at once. A sharp serif VOLC. with hands that glow like lava. A red line-art version, where the stone is drawn as a contour and the brand text radiates around it. And a pixel, blob-like V•LC on glossy obsidian renders.
The serif direction went forward after a review with my tutor. Looking back, the line-art version had something too; it just never got the chance to develop. From there I drew the lettering, built the posters and carriers, and then moved into Blender for the packaging.
Packaging
I kept the standard form of a jewellery box and changed what it says. A small glass window in the lid stands for the crater, where the stone came from. The texture of the box tells you which collection you are holding. Inside, an insert card carries the piece's number in its capsule collection, a contour map of the volcano, its coordinates and the date it last erupted.
The first insert is for Avachinsky (Авачинская сопка): last eruption, 5 October 2001. I modelled and lit everything in Blender.
Result
A full brand world for a stone that used to be fire: wordmark and lettering, posters, a brochure, outdoor ads, a box system with five textures, insert cards that give each piece its volcano and a shipping box.
Credits
- Mockups: stock templates
- Research slides: competitor product photos belong to AVGVST, Kintsugi Jewelry and Fjord; audience portraits are reference images
- Hand and ear in the posters: photographs of a friend
- Stone, lava and fire materials in Blender: partly third-party (BlenderKit)
HSE Art and Design School, BA Communication Design